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Jenny Ymker Winner of the 2019 Luxembourg Art Prize Jenny Ymker was born in 1969 in the Netherlands.
She is 50 years old.
She lives in Tilburg Netherlands.
She attended the Constantijn Huygens, Academy of Arts, Kampen nowadays ARTEZ Zwolle.
The artists who inspire her include Cindy Sherman, Francesca Woodman, Grayson Perry and Louise Bourgeois.
This was her third time participating in the Luxembourg Art Prize.
Nowadays it is used as a general reference to woven tapestries.
I use the term Gobelin because I like the sound of the casino 2020 luxemburgo, but particularly because it refers to history.
Originally, Gobelins were intended as insulation for the cold inner walls of castles.
But at a very early stage, the ornamental function of these tapestries became very important too.
Traditionally, stories are depicted on Gobelins.
In my work I depict situations with the intention of evoking stories in the spectators.
I always try not to be too literal, so spectators have space to discover their own stories.
I find evoking stories important because I think our ability to tell them is an essential part of our being.
I worked in health care for a while.
When I have an idea for a new work I try to find a suitable location and the right clothes, shoes and props.
On site, I stage the entire situation and then make photos using a self-timer or assistant.
One theme in the work is alienation.
I consciously choose dresses, bags, shoes from the past.
With these, I want to reinforce the feeling of alienation from the environment.
This also informed my decision to have the photo casino 2020 luxemburgo instead of printed.
My works are in a way personal performances which I register in Photographs.
In all my works I am the model myself.
Of course this is practical because I am always available.
When I have a good photo, I have it turned into a weaving pattern.
Together with the weaver I choose the right colours of wool and cotton.
Next, a couple of samples are woven.
In the basis of these samples I can still make changes and adjustments, after which the definitive Gobelin is woven.
In some Gobelins I then embroider parts of the image to emphasize certain parts that support the theme.
The Gobelin weaving technique and embroidery appeal to me because I love the maze of coloured threads that together form an image.
I use the attractiveness of the material to move spectators closer until they see that it is not always pretty what I depict.
Selected work: �Vervlogen Bygone �, 2018, Gobelin Woven tapestry, wool and cotton193x291 cm 76 x 115 in Description: "This tapestry speaks of letting go.
He lives in Hungary with his wife and children.
He is mainly self-taught, but studied painting for 1 year at the School of Fine Arts in Budapest, Hungary.
The artists who inspire him include Adrian Ghenie, Albert Oehlen, Cecily Brown, Gerhard Richter, Marlene Dumas, Maurizio Cattelan, Michael Borremans, Neo Rauch, and Peter Doig.
This was his first time participating in the Luxembourg Art Prize.
His artistic approach: Life is an accumulation of experiences and feelings.
It was by starting from this idea that I found a process of creation in my painting.
The idea is to superimpose different elements and styles to create a new balance.
I spent my childhood dreaming.
My parents always told me that my head was in the clouds.
Today, with a certain distance, I am able to draw on the imagination of my childhood and stories.
My inspiration often comes from old photos or from my own shots.
It is not unusual for me to use embroidery and animals in my paintings.
The embroidery evokes the transmission of knowledge between generations.
In Hungary, where I am based, each region had its own patterns and styles.
The quality of the embroidery present in any given house highlighted the skills and know-how of the woman living there.
This know-how was passed from mother to daughter.
Animals are part of the imaginary world of children and are very present in fairytales.
I use them as narrative symbols for my own stories; sometimes they become characters in their own right.
Childhood is a fabulous mirror for humanity where we find gentleness, play, violence, tenderness, vice, questions, love, etc.
A raw material that time shapes.
The child slowly becomes aware of his Humanity with great casino 2020 luxemburgo and naivety.
It is this moment that I try to capture in my work and my research.
I observe this transition, choose my moments, and relocate my subjects to transcribe a sensation.
Michael Borremans, videos 2020 poker wsop contemporary painter I admire, said about one of his exhibitions that the less explanation a painting needs, the better it is.
When I "install" different elements on a canvas, I always try to keep this idea in mind.
It is both very difficult and exciting to create, to figure out when the story must stop and when it should continue.
Sometimes my paintings fill up naturally and sometimes they remain very spare, depending on the feeling that emerges as I paint.
Selected work: "Le garcon du voisinage" "The boy from the neighborhood"Acrylic, ink, oil on linen, 140 x casino 2020 luxemburgo cm Description: We see a group of children smiling and having fun, laughing.
There is also this one little boy who is treated in a more abstract way�"the neighbor.
Another child points to something outside the canvas, something that may also have scared the birds.
And then this yellow line, a sketch, a temporary geometric construction, which stands in the middle of the swamp as if in a dream that escapes our grasp, shifting to become something else.
Jarik Jongman Winner of the 2017 Luxembourg Art Prize Jarik Jongman was born in 1962 in Amsterdam in the Netherlands.
He lives and works in Amsterdam.
The artists who inspire him are Adrian Ghenie, Anselm Kiefer and Peter Doig.
He is a graduate of the Arnhem Academy of Art in the Netherlands.
He works as a waiter.
In his work over the years, the artist has been fascinated by the notions of fleetingness, ontology, religion and history.
Many of his works involve architecture in one form or another: motel rooms, waiting rooms and dilapidated buildings, often lacking any human presence, frequently evoking feelings of nostalgia and contemplation, with a definite touch of the miraculous or the supernatural.
In his latest work, conceived especially for the Luxembourg Art Prize, he concentrates on what he sees as the primary tragic development of our time.
As with all paradigm shifts, the foundations were laid several decades ago and we are watching the unfolding events with an increasing sense of helplessness.
Socio-economic pressure, immigration, casino 2020 luxemburgo refugee crisis, international terrorism and climate change are causing anxiety at global level.
Underlying the feeling of fear and lack of control provoked by these problems, our post-truth society is emerging, incarnated like nothing else by Donald Trump, the President of the United States of America.
The artist has used modernism, or more specifically modernist architecture, as a starting point for the idea that it represented a utopian spirit, conveying ideal visions of human life and society and a belief in progress.
Modernism was very preoccupied with reconciling a new architectural form with social reform, creating a more open and transparent society that believes in human perfectibility in a world without God.
The rise to power of Joseph Stalin led the Soviet government to reject modernism for what it claimed was its elitism.
The Nazi government in Germany saw modernism as narcissistic and absurd, together with "the Jews" and "the Negroes".
The Nazis exhibited modernist paintings alongside works by mentally ill patients in an exhibition entitled "Degenerate Art".
Accusations of "formalism" could end a career, or worse.
This is why many modernists in the post-war generation considered themselves the most important bulwark against totalitarianism, the "canary in the coalmine".
The paintings presented by opinion brand new usa online casinos 2020 recommend artist to the Luxembourg Art Prize explore these ideas.
The goal is to convey a feeling of imminence, and fire plays an important role.
Fire is the ancient symbol of transformation, a metaphysical constant in the world.
He paints these buildings and villas whose significance has been enlarged, moving from simple functionality to an iconic, symbolic status, as sublime, transcendental structures, coveted and threatened by impenetrable, menacing forces.
The feeling of menace is palpable; impenetrable, threatening forces invade this symbol of modernity and illumination.
John Haverty Winner of the 2016 Luxembourg Art Prize John Haverty was born in 1986 in Boston, USA.
He is American and lives in Massachusetts, USA.
The artists who inspire him are Dieric Bouts, Hieronymus Bosch and Salvador Dali.
He works for an airline.
Similar to shamanism, the painting of John Haverty bears within it a highly visible introspective force.
Each line or dot is important to him, making his work a complex painting.
The creative process is full of unknowns.
As every day is different, every mood is different.
But my paintings show the feelings of my past.
But John Haverty does not consider himself an angry person.
The thrill of being terrified and a love of the classic monsters are mixed with my journeys, and influence me a lot.
My beach house in Cape Cod is pretty sinister, and sometimes I feel as if I am in the presence of spirits.
I think all that interests me in a way.
For me, the interest is visual.
Michel Polfer, Director of the MNHA, emphasised the importance of the donation for the museum.
Albert Janzen Winner of the 2015 Luxembourg Art Prize Albert Janzen was born in 1989 in Sibirskij, Russia.
German by nationality, he lives in Amsterdam in the Netherlands.
The artists please click for source inspire him include Gerhard Richter, Cy Twombly, Zao Wou-Ki and Antonio Murado.
I examine the fundamental aspects of images, i.
Line is the most intuitive means of perceiving and understanding our environment.
Recognising visual structures depends on the recognition of line.
This dependence is due to the absolute simplicity of lines.
They are so simple that nothing can be conceived of without them.
Everything can be constructed with lines, but nothing constructs lines.
The only candidate for a structure underlying line is the point.
As points are important elements in my drawings, I consider them as fundamental in the same way.
The extreme simplicity of line provides an independent aesthetic.
It does not represent an idea, as it is constructed from nothing other than itself.
To reveal its aesthetic power, line has to be its own system of reference.
I draw casino 2020 luxemburgo not to construct something, but just to draw lines.
The shapes and motifs that emerge in my drawings have no other intention than to reveal the movements of lines.
Looking at my lines, one is confronted with an independent entity.
Albert Janzen Untitled, 2015.
Five black pens on a whiteboard ephemeral work photographed before its destruction.
Kevin Muhlen, Director of Casino Luxembourg, welcomed this action something live poker schedule uk 2020 can the gallery.
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